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Instead he is looking at what the movement of pavement tells us about who has driven on that road. He is not discussing what the stuff is that pavements are made up of. He has 31 examples, which include things like x-rays and stamps and maps and the winter ice halo around the sun. He takes things that we are familiar with but have never looked at closely. This book is really not about art per se – instead it is really about the act of observation.
#MASTER THE ART OF DEDUCTION HOW TO#
Your first choice is How to Use Your Eyes by James Elkins, which looks at how we can use our eyes more efficiently.Įlkins is a writer on art and art history. I would never have noticed these before, but they are actually part of a large network across the US of these little topographic landmarks. They are set in concrete or embedded in soil. For example, I live in New York and I have been seeing things like geodetic survey marks – small brass discs that are planted at a particular latitude and longitude. Mostly I have seen that when we bother to stop and look, there is an enormous amount of surprising material right under our noses. In the course of your research, what unexpected observations have you made about some well-known places? I am very interested in getting different perspectives on what we consider to be an ordinary, well-known landscape.
#MASTER THE ART OF DEDUCTION SERIES#
I am taking a series of walks, through the city of New York and other cities as well, with people whose expertise or in some cases physical condition allows them to see something about the city that I might not see. Yes, I am writing a book that is about observation – in particular, observations done in an “ordinary” context. You are currently working on a project that involves this theme.
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It drives human progress, with millions of industries around the world depending on mathematical scientists. Mathematics is both a logical and creative pursuit.